![]() ![]() But when I play with a backing track, or at jams with others, it is obvious that I have to play much sharper than I do in my own practice without a pitch reference, and I am constantly "lipping up" every pitch to try to be in tune, often "breaking" entirely when playing with others. I mostly play clarinet with myself for practice and this feels comfortable. I have been following this advice for a couple of years now and it hasn't improved the general flatness of most pitches, especially "throat" pitches I think they're called.įor some background, I mostly play brass instruments with some traditional jazz bands, and have been working for a few years on the clarinet to "bring it out of the closet" eventually. First of all I understand that most people's first (and very reasonable) place to look to improve intonation is at the technique of the player: embouchure quality and technique, air support, maybe quality of reed, etc.
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